3D Printing has come a long way since the inception of the technology. It has gone from being used almost uniquely for prototypes in industrial environments, to enabling the creation of highly complex, customized medical devices that help physicians provide their patients with better treatment options and a higher level of care.
The Sint Maartenskliniek (SMK) in is the only clinic in the Netherlands specializing in posture and movement. Its reputation attracts patients from all over the country, for treatment of simple or complex orthopedic disorders. The clinic’s long-term relationship with Materialise brought them to a significant milestone not so long ago. This is the story of a case that led the way to the 70th aMace case for SMK.
It’s time for AMUG – the 3D printing event that has been around since the early days of the technology. It unites people from the industry both new and veterans and is a great way to discover new innovations, network, and learn about the exciting projects. This year Materialise will once again be attending AMUG in St. Louis, Missouri, from April 8-12. At the event, see our latest innovations, get a demo of our 3D printing software suite, including Magics, and hear from our team of experts who will be giving presentations.
The city hall of Antwerp is one of the city’s architectural crown jewels. Dating back from the 16th century, it hadn’t undergone significant restauration for the last 60 years, and the grand old building was starting to show signs of its age. The municipality of Antwerp has set an ambitious restauration project in motion, which will be explained and displayed at Paviljoen Antwerpen Morgen. Held at MAS, the exhibition will cover the biggest urban development projects the city has planned for the future. And taking center stage is a giant 3D-printed model of the renovated city hall!
Prof. Stefaan Nijs, Chairman of Trauma Surgery at Leuven University Hospital, illustrates in his webinar ‘3D and musculoskeletal trauma’ why 3D-printed implants in post-traumatic surgeries have huge potential to solve dramatic cases which would not have a solution otherwise.
It’s been hard to miss the excitement across the world about Marvel’s latest superhero movie, Black Panther. Head Costume Designer Ruth E. Carter’s luscious costume design has taken center stage. In order to bring her otherworldly blends between traditional African designs and the futuristic elements of the highly developed Wakanda civilisation to life, Carter approached Julia Koerner to collaborate on cutting-edge wearables for Queen Ramonda. Julia Koerner is an inter-disciplinary designer, experienced in architecture, industrial and fashion design, and specialized in 3D-printed wearables.
Every year, a Belgian designer is nominated as the Designer of the Year by the Biënnale Interieur, Knack Weekend and the Design Museum in Gent. This year’s winner was none other than Unfold, a design duo composed of Claire Warnier and Dries Verbruggen. We’ve had the privilege of collaborating together with Unfold on a number of their pieces, which are now on display at the Design Museum of Gent as part of a solo exhibition in honor of the Designer of the Year award. A parallel exhibition called “Hello Robot” is also being held at the same time and builds on the themes of design exploration at the intersection of man and machine.
The North Manchester General Hospital in the UK is building a name for itself with its newly established 3D printing lab. His business case proved to be a very obvious path towards integrating a 3D lab in the hospital. Here’s how he built his case and how his success story developed.
Scandinavian minimalism never had trouble looking good. And now thanks to Ørgreen and Yuniku, it can help you see better too. Last October, Copenhagen-based designer eyewear brand Ørgreen joined the Yuniku customization platform co-created by Materialise and HOYA Vision Care. This weekend, at MIDO in Milan Ørgreen will showcase their Ørgreen+Yuniku collection through a unique art installation by Gamfratesi Design Studio that gave their minimalist style an abstract twist.
Initially used a symbol of peaceful resistance against the Polish communist regime during the ‘80s, the gnome, or krasnal, has grown to become the symbol of the city of Wrocław. In fact, there are currently over 300 gnomes dotted around the city and it’s a popular tourist pastime to spot as many as possible. Poland celebrated its 100 years of independence this year – and Mr. Waldemar Plusa, together with the city of Wrocław, decided to commemorate the occasion by using their symbol in a very special way.