Armed with the knowledge of 3D modeling and 3D printing, a background in architecture, and the will to liberate his creative mind, Korean designer Se Yoon Park has created a stunning art installation made up of 3D-printed trees. His work imitates the organic structure of trees and consists of many small geometric elements. Dive into the world of “Light, Darkness, and the Tree”.
Reduced waste, production efficiency and functional gain driven by greater design freedom and flexibility. An increasingly familiar summary of the key benefits afforded by metal 3D printing. Meanwhile, high-volume repeatability, precision surface finishing, particularly in relation to tight tolerances, remain characteristics more closely associated with CNC machining. But what if there was no competition? No ‘either/or’?
The industrial landscape is going digital. By 2020, PwC expects as many as 64% of manufacturing factories to use connected sensors, and expects the number of factories using 3D printing to double. And 2020 isn’t all that far off any longer. So where are we today? For Materialise, the emergence of Factories of the Future is not a phenomenon we’re waiting for. It’s a vision we’re realizing today. And last week, we were proud to be awarded the ‘Factory of the Future Label 4.0’ by Agoria and Sirris, after a rigorous selection procedure. But we’re not going the distance alone. Read on to discover why you can’t be a Factory of the Future in a vacuum.
3D printing is a slow revolution. But it is a revolution regardless, when you consider what the technology does: saving lives, enabling new business models, redefining how we design products. But none of that happened overnight. The revolutionary nature of 3D printing grew over decades, formed on a foundation of small but valuable steps. So where are today’s trends taking the industry in 2019? We checked in with experts at Materialise, including CEO Fried Vancraen, to find out.
Create a 3D-printed replica of an elephant-sized woolly mammoth skeleton? Even with the wide variety of challenges we’re fortunate to experience at Materialise, projects like this don’t come along every day. Project Engineer Gertjan Brienen managed the team that made this fascinating technical exercise a success. In this guest post, he tells us how it tested all our capabilities, from design engineering to our own giant Mammoth printers.
As a Sales Manager at Materialise UK, Luke Ambrose has had a front-row view of the evolution of 3D Printing in the UK over the past decade. In this guest post, Luke reflects on how the technology has changed and how UK companies are adapting their approaches towards it.
When walking along the Belgian coast today, you would never guess that 100 years ago it was the scene of one of the bloodiest wars in European history: World War I. Only a few traces remain – in Raversijde, you can spot bunkers peeking out from the dunes, including, if you look closely, some remaining coastal artillery. The Atlantikwall Museum in Raversijde allows visitors to immerse themselves in the atmosphere of WWI, and a new exhibition about munition in WWI will bring the coastline of 1914 even more to life. The star of the exhibition is a massive, highly detailed, 3D-printed model which is an exact replica of the coastline as it was during the war.
We sat down with Mietje Germonpré, a paleontologist at the Royal Belgian Institute of Natural Sciences in Brussels who is specialized in mammals from the Ice Age, to get her insight on the Mammoth of Lier and how 3D Printing is breathing new life into its age-old remains.
The new eyewear collection by fmhofmann is the first in the industry to combine a Titanium 3D-printed hinge with 3D-printed PA frames, a unique combination not seen before. To scale this new summit of all-printed eyewear, Berlin-based designer Fabián Hofmann collaborated with 3D printing experts Materialise.
Art and technology are blended together seamlessly in Belgian theater auteur Stijn Devillé’s upcoming play, Gesprek met de Regen (or “Conversation with the Rain”). The play tells the story of a grieving couple trying to come to terms with the loss of their daughter, with the monsoon rains of Singapore as the backdrop. To bring this to life in the play, the theater company Het Nieuwstedelijk collaborated together with KU Leuven and Materialise to create a very special kind of rain machine – a complex bit of stage magic which involves 3D Printing, programming and lots of water.