The industrial landscape is going digital. By 2020, PwC expects as many as 64% of manufacturing factories to use connected sensors, and expects the number of factories using 3D printing to double. And 2020 isn’t all that far off any longer. So where are we today? For Materialise, the emergence of Factories of the Future is not a phenomenon we’re waiting for. It’s a vision we’re realizing today. And last week, we were proud to be awarded the ‘Factory of the Future Label 4.0’ by Agoria and Sirris, after a rigorous selection procedure. But we’re not going the distance alone. Read on to discover why you can’t be a Factory of the Future in a vacuum.
To commemorate the iconic mouse’s 90th birthday in style, Disney reached out to Materialise to create three 3D-printed sculptures of Mickey. These statues were then featured in events marking the big birthday in a pop-up venue in Brussels, Belgium, and included collaborations with artists who used the 3D-printed statues as blank canvases, allowing them to reinterpret and play on the character’s emblematic look.
Create a 3D-printed replica of an elephant-sized woolly mammoth skeleton? Even with the wide variety of challenges we’re fortunate to experience at Materialise, projects like this don’t come along every day. Project Engineer Gertjan Brienen managed the team that made this fascinating technical exercise a success. In this guest post, he tells us how it tested all our capabilities, from design engineering to our own giant Mammoth printers.
When walking along the Belgian coast today, you would never guess that 100 years ago it was the scene of one of the bloodiest wars in European history: World War I. Only a few traces remain – in Raversijde, you can spot bunkers peeking out from the dunes, including, if you look closely, some remaining coastal artillery. The Atlantikwall Museum in Raversijde allows visitors to immerse themselves in the atmosphere of WWI, and a new exhibition about munition in WWI will bring the coastline of 1914 even more to life. The star of the exhibition is a massive, highly detailed, 3D-printed model which is an exact replica of the coastline as it was during the war.
We sat down with Mietje Germonpré, a paleontologist at the Royal Belgian Institute of Natural Sciences in Brussels who is specialized in mammals from the Ice Age, to get her insight on the Mammoth of Lier and how 3D Printing is breathing new life into its age-old remains.
The new eyewear collection by fmhofmann is the first in the industry to combine a Titanium 3D-printed hinge with 3D-printed PA frames, a unique combination not seen before. To scale this new summit of all-printed eyewear, Berlin-based designer Fabián Hofmann collaborated with 3D printing experts Materialise.
When you’re running a start-up, speed is often a key part in providing your customers with a good experience. Not only does it give you a competitive advantage, it enables you to react quickly to customer demands and get to the best version of the product together. We interviewed Filip Smet, the CEO of Lemon Companies to get his unique insight on why 3D Printing – and speedy deliveries – are so crucial for Lemon’s projects.
Art and technology are blended together seamlessly in Belgian theater auteur Stijn Devillé’s upcoming play, Gesprek met de Regen (or “Conversation with the Rain”). The play tells the story of a grieving couple trying to come to terms with the loss of their daughter, with the monsoon rains of Singapore as the backdrop. To bring this to life in the play, the theater company Het Nieuwstedelijk collaborated together with KU Leuven and Materialise to create a very special kind of rain machine – a complex bit of stage magic which involves 3D Printing, programming and lots of water.
The city hall of Antwerp is one of the city’s architectural crown jewels. Dating back from the 16th century, it hadn’t undergone significant restauration for the last 60 years, and the grand old building was starting to show signs of its age. The municipality of Antwerp has set an ambitious restauration project in motion, which will be explained and displayed at Paviljoen Antwerpen Morgen. Held at MAS, the exhibition will cover the biggest urban development projects the city has planned for the future. And taking center stage is a giant 3D-printed model of the renovated city hall!
It’s been hard to miss the excitement across the world about Marvel’s latest superhero movie, Black Panther. Head Costume Designer Ruth E. Carter’s luscious costume design has taken center stage. In order to bring her otherworldly blends between traditional African designs and the futuristic elements of the highly developed Wakanda civilisation to life, Carter approached Julia Koerner to collaborate on cutting-edge wearables for Queen Ramonda. Julia Koerner is an inter-disciplinary designer, experienced in architecture, industrial and fashion design, and specialized in 3D-printed wearables.